<div><h2><span style="font-size: 14px;font-family: Arial;">PRADA SS27: ONE SKIRT, ENDLESS POSSIBILITIES<br>How far can you push something we already know?<br>For SS27, Miuccia Prada and Raf Simons fixate on the skirt not as a wardrobe staple, but as something to disrupt.<br>Velcro comes covered in crystals. Snaps become jewellery. Crinoline moves from hidden structure to exposed armour. Re-Nylon<br>is pleated, cotton pretends to be suede, and delicate florals collide with industrial surfaces. Nothing behaves quite as expected.<br>Skirts stretch beyond the body, peel away in layers and shift depending on what surrounds them, a bra, a shirt, a sweater. The familiar becomes strange again. It’s classic Prada logic: take the ordinary, mess with its codes, and see what survives.<br>The skirt stays. Everything else is up for question. </span></h2>
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PRADA SS27

Prada Donna Ss27 001

<div><p><span style="font-size: 14px;font-family: Arial;">McQueen’s Spring/Summer 2027 lives somewhere between the chapel and the club.</span></p>
<p><span style="font-size: 14px;font-family: Arial;">Seán McGirr takes London’s contradictions and turns them into clothes: strict tailoring against sheer tulle, leather harnesses against lacquered satin, religious romanticism washed in rave-like neons. Savile Row gets sharper, shoulders become almost angelic, and Shaun Leane’s metalwork brings a familiar McQueen tension to the body.</span></p>
<p><span style="font-size: 14px;font-family: Arial;">Dark, sensual and slightly divine angels, but after midnight. </span></p>
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 McQueen’s Spring/Summer 2027

Mcqueen Ss27 Press Look 01 Large

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<p><span style="color: #000000; background-color: #ffffff; font-size: 14px; font-family: Arial;">Vinicius Ferreira is a visual artist who explores the underlying themes of contemporary society through various visual media: photography, film, installations, video art, and performance art. He currently uses technology and natural elements in his work, as seen in the audiovisual performance Rizoma and the installation Linha de Erosão, which will be featured at the 16th Curitiba International Biennial. It does not escape, indeed, in each portrait, the brutal toil questioning the low-price commodity, an ancestral time of telling, a dark skin that shines and warns: we are fighting. In the Yoruba language of the Gulf of Guinea, Oriki carries vast meanings, such as affection, name, chant, poem, or something offered to someone else. Here, the term reappears as a new voice of outflow. It is offered, therefore, a journey to discomfort, inside a multiple and infinite Brazil.<br /></span></p>
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Vinicius Ferreira is a visual artist who explores the underlying themes of contemporary society through various visual media.

Prada ss27 - Miuccia Prada & Raf Simons

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